TAR 447 – HISTORY OF THE THEATRE
AND DRAMATIC LITERATURE IV
Syllabus
1. Mike King
Office: FA-227
859-572-5647
E-mail: mking@nku.edu
Office Hours: MWF 11-12am, T R 12:30-1:30pm or by appointment
2. Text: Wilson, Edwin and Alvin Goldfarb. Living Theatre: A History, 3rd ed.
Jacobus, Lee A. Bedford Introduction to Drama, 3rd ed.
3. Objectives and Expectations
a. Objectives
1) To increase understanding of the historical evolution of theater in the 20th century, roughly from 1915 to the present day, by completing all reading assignments and by participating in class discussions and activities.
2) To better appreciate theatre’s cultural context by exploring social forces that helped to shape
it and its literature across decades and countries.
3) To improve potential for creating textured, informed theatre events by increasing familiarity
with historical aspects of dramatic literature and play production across the centuries.
4) To explore artistic representations of some playscripts relevant to various time periods by
viewing portions of filmed versions of notable productions.
5) To strengthen discerning interpretive and research skills by completing some form of
independent project across the semester.
b. Expectations
1) Attendance is mandatory. Three unexcused absences are permitted, but only insofar as they
do not interfere with assignments or the regular conduct of the class. For each unexcused
absence beyond three, the final course grade is lowered by 5%. Also, class begins precisely
on the hour. Arriving after the door is shut results in a late. Three lates equal one unexcused
absence. If you arrive late it is your responsibility to make sure I noticed your presence.
2) Keep up with reading assignments.
3) Attend all mainstage and blackbox productions.
4) Much class time consists of lecture. But within this framework, your willingness to share
perceptions, ask questions, respond to observations made by others, and explore issues with
curiosity will strongly influence your understanding of course material. Please participate.
4. Major Assignments and Grades
a. Exam #1. . . . . . . . . . . . . . . . . . 15% ----
b. Exam #2. . . . . . . . . . . . . . . . . . 20%
c. Exam #3. . . . . . . . . . . . . . . . . . 25%
d. Exam #4……………………... 30%
e. Monologue/Design notebook. . . . 10%
______
100%
5. Honor Code: The work you will do in this course is subject to the Student Honor Code. The Honor Code is a commitment to the highest degree of ethical integrity in academic conduct, a
commitment that, individually and collectively, the students of Northern Kentucky University
will not lie, cheat, or plagiarize to gain an academic advantage over fellow students or avoid
academic requirements.
Plagiarism is the deceitful means to obtain a grade by submitting another’s work as one’s own
without appropriate documentation. If plagiarism is confirmed, the instructor may lower the
student’s grade or give the student a failing grade in the course. Further, the instructor may
recommend to the chairperson any additional sanctions to be imposed, including suspension or
expulsion from the university. (For further details, consult the Code of Student Rights and
Responsibilities distributed by the Office of the Dean of Students)
THEATRE HISTORY AND DRAMATIC LITERATURE IV | ||||
Date | Day | Special Events | Classroom Topic | Reading Due |
12-Jan | M | Introduction, Syllabus, Review | ||
14-Jan | W | The calamitous 20th Century | Chapter 13 | |
15-Jan | F | The Age of Isms | ||
19-Jan | M | MLK Jr. Day | No classes | |
21-Jan | W | Pirandello and others | ||
23-Jan | F | Discuss Six Characters | Six Characters in Search of an Author | |
26-Jan | M | American Theatre between the wars | ||
28-Jan | W | Eugene O'Neill | ||
30-Jan | F | Excerpts from O'Neill's works | ||
2-Feb | M | Brecht and Epic Theatre | ||
4-Feb | W | Discuss Mother Courage | Mother Courage | |
6-Feb | F | The Group Theatre | ||
9-Feb | M | African-American Theatre | ||
11-Feb | W | Exam #1 | ||
13-Feb | F | Post-War Drama to 1975 | Chapter 14 | |
16-Feb | M | President's Day | No classes | |
18-Feb | W | Existentialism/Theatre of the Absurd | ||
20-Feb | F | JCS 2/19 | Beckett and Ionesco | |
23-Feb | M | Discuss The Lesson | The Lesson | |
25-Feb | W | Post-war realism | ||
27-Feb | F | Discuss Cat on a Hot Tin Roof | Cat on a Hot Tin Roof | |
1-Mar | M | Miller and Tragedy | ||
3-Mar | W | Discuss Death of a Salesman | Death of a Salesman | |
5-Mar | F | American Commercial Theatre- | ||
8-Mar | M | Spring Break | No classes | |
10-Mar | W | Spring Break | No classes | |
12-Mar | F | Spring Break | No classes | |
15-Mar | M | Affrican-American Theatre | ||
17-Mar | W | Discuss A Raisin in the Sun | A Raisin in the Sun | |
19-Mar | F | Exam #2 | ||
22-Mar | M | Off-Broadway and Off- Off- | ||
24-Mar | W | Sam Shepard and True West | True West | |
26-Mar | F | APOMH 3/24 | Postmodernism | Chapter 15 |
29-Mar | M | Diversity-related theater | ||
31-Mar | W | August Wilson and Loyd Richards | ||
2-Apr | F | Discuss Fences | Fences | |
5-Apr | M | The Regional Theater Movement | ||
7-Apr | W | Discuss The Beauty Queen of Leenane | The Beauty Queen of Leenane | |
9-Apr | F | Exam #3 | ||
12-Apr | M | British Theater | ||
14-Apr | W | Discuss Betrayal | Betrayal | |
16-Apr | F | Discuss Cloud Nine | Cloud Nine | |
19-Apr | M | Musical Theatre since 1960 | ||
21-Apr | W | Anti-Textual Theater | ||
23-Apr | F | Imag. Invalid 4/22 | Important Contemporary Playwrights | |
26-Apr | M | Discuss Angels in America | Angels In America | |
28-Apr | W | Great Actors of the 20th Century | ||
30-Apr | F | Discuss How I Learned to Drive | How I Learned to Drive | |
3-May | M | Solo Performance | ||
Exam #4--Final Exam | ||||
May 5th, 10:10am-12:10pm | ||||