The Project Gutenberg EBook of A Shropshire Lad, by A. E. Housman This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: A Shropshire Lad Author: A. E. Housman Commentator: William Stanley Braithwaite Release Date: June 2, 2009 [EBook #5720] Last Updated: February 4, 2013 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK A SHROPSHIRE LAD *** Produced by Albert Imrie, and David Widger
The method of the poems in A Shropshire Lad illustrates better than any theory how poetry may assume the attire of reality, and yet in speech of the simplest, become in spirit the sheer quality of loveliness. For, in these unobtrusive pages, there is nothing shunned which makes the spectacle of life parade its dark and painful, its ironic and cynical burdens, as well as those images with happy and exquisite aspects. With a broader and deeper background of experience and environment, which by some divine special privilege belongs to the poetic imagination, it is easier to set apart and contrast these opposing words and sympathies in a poet; but here we find them evoked in a restricted locale- an English county-where the rich, cool tranquil landscape gives a solid texture to the human show. What, I think, impresses one, thrills, like ecstatic, half-smothered strains of music, floating from unperceived instruments, in Mr. Housman's poems, is the encounter his spirit constantly endures with life. It is, this encounter, what you feel in the Greeks, and as in the Greeks, it is a spiritual waging of miraculous forces. There is, too, in Mr. Housman's poems, the singularly Grecian Quality of a clean and fragrant mental and emotional temper, vibrating equally whether the theme dealt with is ruin or defeat, or some great tragic crisis of spirit, or with moods and ardours of pure enjoyment and simplicities of feeling. Scarcely has any modern book of poems shown so sure a touch of genius in this respect: the magic, in a continuous glow saturating the substance of every picture and motive with its own peculiar essence.
What has been called the "cynical bitterness" of Mr. Housman's poems, is really nothing more than his ability to etch in sharp tones the actualities of experience. The poet himself is never cynical; his joyousness is all too apparent in the very manner and intensity of expression. The "lads" of Ludlow are so human to him, the hawthorn and broom on the Severn shores are so fragrant with associations, he cannot help but compose under a kind of imaginative wizardry of exultation, even when the immediate subject is grim or grotesque. In many of these brief, tense poems the reader confronts a mask, as it were, with appalling and distorted lineaments; but behind it the poet smiles, perhaps sardonically, but smiles nevertheless. In the real countenance there are no tears or grievances, but a quizzical, humorous expression which shows, when one has torn the subterfuge away, that here is a spirit whom life may menace with its contradictions and fatalities, but never dupe with its circumstance and mystery.
All this quite points to, and partly explains, the charm of the poems in A Shropshire Lad . The fastidious care with which each poem is built out of the simplest of technical elements, the precise tone and color of language employed to articulate impulse and mood, and the reproduction of objective substances for a clear visualization of character and scene, all tend by a sure and unfaltering composition, to present a lyric art unique in English poetry of the last twenty-five years.
I dare say I have scarcely touched upon the secret of Mr. Housman's book. For some it may radiate from the Shropshire life he so finely etches; for others, in the vivid artistic simplicity and unity of values, through which Shropshire lads and landscapes are presented. It must be, however, in the miraculous fusing of the two. Whatever that secret is, the charm of it never fails after all these years to keep the poems preserved with a freshness and vitality, which are the qualities of enduring genius.
WILLIAM STANLEY BRAITHWAITE
I
1887
From Clee to heaven the beacon burns,
The shires have seen it plain,
From north and south the sign returns
And beacons burn again.
Look left, look right, the hills are bright,
The dales are light between,
Because 'tis fifty years to-night
That God has saved the Queen.
Now, when the flame they watch not towers
About the soil they trod,
Lads, we'll remember friends of ours
Who shared the work with God.
To skies that knit their heartstrings right,
To fields that bred them brave,
The saviours come not home to-night:
Themselves they could not save.
It dawns in Asia, tombstones show
And Shropshire names are read;
And the Nile spills his overflow
Beside the Severn's dead.
We pledge in peace by farm and town
The Queen they served in war,
And fire the beacons up and down
The land they perished for.
"God Save the Queen" we living sing,
From height to height 'tis heard;
And with the rest your voices ring,
Lads of the Fifty-third.
Oh, God will save her, fear you not:
Be you the men you've been,
Get you the sons your fathers got,
And God will Save the Queen.
II
Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.
Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.
And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.
III
THE RECRUIT
Leave your home behind, lad,
And reach your friends your hand,
And go, and luck go with you
While Ludlow tower shall stand.
Oh, come you home of Sunday
When Ludlow streets are still
And Ludlow bells are calling
To farm and lane and mill,
Or come you home of Monday
When Ludlow market hums
And Ludlow chimes are playing
"The conquering hero comes,"
Come you home a hero,
Or come not home at all,
The lads you leave will mind you
Till Ludlow tower shall fall.
And you will list the bugle
That blows in lands of morn,
And make the foes of England
Be sorry you were born.
And you till trump of doomsday
On lands of morn may lie,
And make the hearts of comrades
Be heavy where you die.
Leave your home behind you,
Your friends by field and town
Oh, town and field will mind you
Till Ludlow tower is down.
IV
REVEILLE
Wake: the silver dusk returning
Up the beach of darkness brims,
And the ship of sunrise burning
Strands upon the eastern rims.
Wake: the vaulted shadow shatters,
Trampled to the floor it spanned,
And the tent of night in tatters
Straws the sky-pavilioned land.
Up, lad, up, 'tis late for lying:
Hear the drums of morning play;
Hark, the empty highways crying
"Who'll beyond the hills away?"
Towns and countries woo together,
Forelands beacon, belfries call;
Never lad that trod on leather
Lived to feast his heart with all.
Up, lad: thews that lie and cumber
Sunlit pallets never thrive;
Morns abed and daylight slumber
Were not meant for man alive.
Clay lies still, but blood's a rover;
Breath's a ware that will not keep
Up, lad: when the journey's over
There'll be time enough to sleep.
V
Oh see how thick the goldcup flowers
Are lying in field and lane,
With dandelions to tell the hours
That never are told again.
Oh may I squire you round the meads
And pick you posies gay?
-'Twill do no harm to take my arm.
"You may, young man, you may."
Ah, spring was sent for lass and lad,
'Tis now the blood runs gold,
And man and maid had best be glad
Before the world is old.
What flowers to-day may flower to-morrow,
But never as good as new.
-Suppose I wound my arm right round-
" 'Tis true, young man, 'tis true."
Some lads there are, 'tis shame to say,
That only court to thieve,
And once they bear the bloom away
'Tis little enough they leave.
Then keep your heart for men like me
And safe from trustless chaps.
My love is true and all for you.
"Perhaps, young man, perhaps."
Oh, look in my eyes, then, can you doubt?
-Why, 'tis a mile from town.
How green the grass is all about!
We might as well sit down.
-Ah, life, what is it but a flower?
Why must true lovers sigh?
Be kind, have pity, my own, my pretty,-
"Good-bye, young man, good-bye."
VI
When the lad for longing sighs,
Mute and dull of cheer and pale,
If at death's own door he lies,
Maiden, you can heal his ail.
Lovers' ills are all to buy:
The wan look, the hollow tone,
The hung head, the sunken eye,
You can have them for your own.
Buy them, buy them: eve and morn
Lovers' ills are all to sell.
Then you can lie down forlorn;
But the lover will be well.
VII
When smoke stood up from Ludlow,
And mist blew off from Teme,
And blithe afield to ploughing
Against the morning beam
I strode beside my team,
The blackbird in the coppice
Looked out to see me stride,
And hearkened as I whistled
The tramping team beside,
And fluted and replied:
"Lie down, lie down, young yeoman;
What use to rise and rise?
Rise man a thousand mornings
Yet down at last he lies,
And then the man is wise."
I heard the tune he sang me,
And spied his yellow bill;
I picked a stone and aimed it
And threw it with a will:
Then the bird was still.
Then my soul within me
Took up the blackbird's strain,
And still beside the horses
Along the dewy lane
It Sang the song again:
"Lie down, lie down, young yeoman;
The sun moves always west;
The road one treads to labour
Will lead one home to rest,
And that will be the best."
VIII
"Farewell to barn and stack and tree,
Farewell to Severn shore.
Terence, look your last at me,
For I come home no more.
"The sun burns on the half-mown hill,
By now the blood is dried;
And Maurice amongst the hay lies still
And my knife is in his side."
"My mother thinks us long away;
'Tis time the field were mown.
She had two sons at rising day,
To-night she'll be alone."
"And here's a bloody hand to shake,
And oh, man, here's good-bye;
We'll sweat no more on scythe and rake,
My bloody hands and I."
"I wish you strength to bring you pride,
And a love to keep you clean,
And I wish you luck, come Lammastide,
At racing on the green."
"Long for me the rick will wait,
And long will wait the fold,
And long will stand the empty plate,
And dinner will be cold."
IX
On moonlit heath and lonesome bank
The sheep beside me graze;
And yon the gallows used to clank
Fast by the four cross ways.
A careless shepherd once would keep
The flocks by moonlight there, (1)
And high amongst the glimmering sheep
The dead man stood on air.
They hang us now in Shrewsbury jail:
The whistles blow forlorn,
And trains all night groan on the rail
To men that die at morn.
There sleeps in Shrewsbury jail to-night,
Or wakes, as may betide,
A better lad, if things went right,
Than most that sleep outside.
And naked to the hangman's noose
The morning clocks will ring
A neck God made for other use
Than strangling in a string.
And sharp the link of life will snap,
And dead on air will stand
Heels that held up as straight a chap
As treads upon the land.
So here I'll watch the night and wait
To see the morning shine,
When he will hear the stroke of eight
And not the stroke of nine;
And wish my friend as sound a sleep
As lads' I did not know,
That shepherded the moonlit sheep
A hundred years ago.
(1) Hanging in chains was called keeping sheep by moonlight.
X
MARCH
The sun at noon to higher air,
Unharnessing the silver Pair
That late before his chariot swam,
Rides on the gold wool of the Ram.
So braver notes the storm-cock sings
To start the rusted wheel of things,
And brutes in field and brutes in pen
Leap that the world goes round again.
The boys are up the woods with day
To fetch the daffodils away,
And home at noonday from the hills
They bring no dearth of daffodils.
Afield for palms the girls repair,
And sure enough the palms are there,
And each will find by hedge or pond
Her waving silver-tufted wand.
In farm and field through all the shire
The eye beholds the heart's desire;
Ah, let not only mine be vain,
For lovers should be loved again.
XI
On your midnight pallet lying
Listen, and undo the door:
Lads that waste the light in sighing
In the dark should sigh no more;
Night should ease a lover's sorrow;
Therefore, since I go to-morrow;
Pity me before.
In the land to which I travel,
The far dwelling, let me say-
Once, if here the couch is gravel,
In a kinder bed I lay,
And the breast the darnel smothers
Rested once upon another's
When it was not clay.
XII
When I watch the living meet,
And the moving pageant file
Warm and breathing through the street
Where I lodge a little while,
If the heats of hate and lust
In the house of flesh are strong,
Let me mind the house of dust
Where my sojourn shall be long.
In the nation that is not
Nothing stands that stood before;
There revenges are forgot,
And the hater hates no more;
Lovers lying two and two
Ask not whom they sleep beside,
And the bridegroom all night through
Never turns him to the bride.
XIII
When I was one-and-twenty
I heard a wise man say,
"Give crowns and pounds and guineas
But not your heart away;
Give pearls away and rubies
But keep your fancy free."
But I was one-and-twenty,
No use to talk to me.
When I was one-and-twenty
I heard him say again,
"The heart out of the bosom
Was never given in vain;
'Tis paid with sighs a plenty
And sold for endless rue."
And I am two-and-twenty,
And oh, 'tis true, 'tis true.
XIV
There pass the careless people
That call their souls their own:
Here by the road I loiter,
How idle and alone.
Ah, past the plunge of plummet,
In seas I cannot sound,
My heart and soul and senses,
World without end, are drowned.
His folly has not fellow
Beneath the blue of day
That gives to man or woman
His heart and soul away.
There flowers no balm to sain him
From east of earth to west
That's lost for everlasting
The heart out of his breast.
Here by the labouring highway
With empty hands I stroll:
Sea-deep, till doomsday morning,
Lie lost my heart and soul.
XV
Look not in my eyes, for fear
They mirror true the sight I see,
And there you find your face too clear
And love it and be lost like me.
One the long nights through must lie
Spent in star-defeated sighs,
But why should you as well as I
Perish? gaze not in my eyes.
A Grecian lad, as I hear tell,
One that many loved in vain,
Looked into a forest well
And never looked away again.
There, when the turf in springtime flowers,
With downward eye and gazes sad,
Stands amid the glancing showers
A jonquil, not a Grecian lad.
XVI
It nods and curtseys and recovers
When the wind blows above,
The nettle on the graves of lovers
That hanged themselves for love.
The nettle nods, the wind blows over,
The man, he does not move,
The lover of the grave, the lover
That hanged himself for love.
XVII
Twice a week the winter thorough
Here stood I to keep the goal:
Football then was fighting sorrow
For the young man's soul.
Now in May time to the wicket
Out I march with bat and pad:
See the son of grief at cricket
Trying to be glad.
Try I will; no harm in trying:
Wonder 'tis how little mirth
Keeps the bones of man from lying
On the bed of earth.
XVIII
Oh, when I was in love with you,
Then I was clean and brave,
And miles around the wonder grew
How well did I behave.
And now the fancy passes by,
And nothing will remain,
And miles around they'll say that I
Am quite myself again.
XIX
TO AN ATHLETE DYING YOUNG
The time you won your town the race
We chaired you through the market-place;
Man and boy stood cheering by,
And home we brought you shoulder-high.
To-day, the road all runners come,
Shoulder-high we bring you home,
And set you at your threshold down,
Townsman of a stiller town.
Smart lad, to slip betimes away
From fields where glory does not stay
And early though the laurel grows
It withers quicker than the rose.
Eyes the shady night has shut
Cannot see the record cut,
And silence sounds no worse than cheers
After earth has stopped the ears:
Now you will not swell the rout
Of lads that wore their honours out,
Runners whom renown outran
And the name died before the man.
So set, before its echoes fade,
The fleet foot on the sill of shade,
And hold to the low lintel up
The still-defended challenge-cup.
And round that early-laurelled head
Will flock to gaze the strengthless dead,
And find unwithered on its curls
The garland briefer than a girl's.
XX
Oh fair enough are sky and plain,
But I know fairer far:
Those are as beautiful again
That in the water are;
The pools and rivers wash so clean
The trees and clouds and air,
The like on earth was never seen,
And oh that I were there.
These are the thoughts I often think
As I stand gazing down
In act upon the cressy brink
To strip and dive and drown;
But in the golden-sanded brooks
And azure meres I spy
A silly lad that longs and looks
And wishes he were I.
XXI
BREDON HILL (1)
In summertime on Bredon
The bells they sound so clear;
Round both the shires they ring them
In steeples far and near,
A happy noise to hear.
Here of a Sunday morning
My love and I would lie
And see the coloured counties,
And hear the larks so high
About us in the sky.
The bells would ring to call her
In valleys miles away:
"Come all to church, good people;
Good people, come and pray."
But here my love would stay.
And I would turn and answer
Among the springing thyme,
"Oh, peal upon our wedding,
And we will hear the chime,
And come to church in time."
But when the snows at Christmas
On Bredon top were strown,
My love rose up so early
And stole out unbeknown
And went to church alone.
They tolled the one bell only,
Groom there was none to see,
The mourners followed after,
And so to church went she,
And would not wait for me.
The bells they sound on Bredon,
And still the steeples hum.
"Come all to church, good people,"-
Oh, noisy bells, be dumb;
I hear you, I will come.
(1) Pronounced Breedon.
XXII
The street sounds to the soldiers' tread,
And out we troop to see:
A single redcoat turns his head,
He turns and looks at me.
My man, from sky to sky's so far,
We never crossed before;
Such leagues apart the world's ends are,
We're like to meet no more;
What thoughts at heart have you and I
We cannot stop to tell;
But dead or living, drunk or dry,
Soldier, I wish you well.
XXIII
The lads in their hundreds to Ludlow come in for the fair,
There's men from the barn and the forge and the mill and the fold,
The lads for the girls and the lads for the liquor are there,
And there with the rest are the lads that will never be old.
There's chaps from the town and the field and the till and the cart,
And many to count are the stalwart, and many the brave,
And many the handsome of face and the handsome of heart,
And few that will carry their looks or their truth to the grave.
I wish one could know them, I wish there were tokens to tell
The fortunate fellows that now you can never discern;
And then one could talk with them friendly and wish them farewell
And watch them depart on the way that they will not return.
But now you may stare as you like and there's nothing to scan;
And brushing your elbow unguessed-at and not to be told
They carry back bright to the coiner the mintage of man,
The lads that will die in their glory and never be old.
XXIV
Say, lad, have you things to do?
Quick then, while your day's at prime.
Quick, and if 'tis work for two,
Here am I, man: now's your time.
Send me now, and I shall go;
Call me, I shall hear you call;
Use me ere they lay me low
Where a man's no use at all;
Ere the wholesome flesh decay,
And the willing nerve be numb,
And the lips lack breath to say,
"No, my lad, I cannot come."
XXV
This time of year a twelvemonth past,
When Fred and I would meet,
We needs must jangle, till at last
We fought and I was beat.
So then the summer fields about,
Till rainy days began,
Rose Harland on her Sundays out
Walked with the better man.
The better man she walks with still,
Though now 'tis not with Fred:
A lad that lives and has his will
Is worth a dozen dead.
Fred keeps the house all kinds of weather,
And clay's the house he keeps;
When Rose and I walk out together
Stock-still lies Fred and sleeps.
XXVI
Along the fields as we came by
A year ago, my love and I,
The aspen over stile and stone
Was talking to itself alone.
"Oh who are these that kiss and pass?
A country lover and his lass;
Two lovers looking to be wed;
And time shall put them both to bed,
But she shall lie with earth above,
And he beside another love."
And sure enough beneath the tree
There walks another love with me,
And overhead the aspen heaves
Its rainy-sounding silver leaves;
And I spell nothing in their stir,
But now perhaps they speak to her,
And plain for her to understand
They talk about a time at hand
When I shall sleep with clover clad,
And she beside another lad.
XXVII
"Is my team ploughing,
That I was used to drive
And hear the harness jingle
When I was man alive?"
Ay, the horses trample,
The harness jingles now;
No change though you lie under
The land you used to plough.
"Is football playing
Along the river shore,
With lads to chase the leather,
Now I stand up no more?"
Ay, the ball is flying,
The lads play heart and soul;
The goal stands up, the keeper
Stands up to keep the goal.
"Is my girl happy,
That I thought hard to leave,
And has she tired of weeping
As she lies down at eve?"
Ay, she lies down lightly,
She lies not down to weep:
Your girl is well contented.
Be still, my lad, and sleep.
"Is my friend hearty,
Now I am thin and pine,
And has he found to sleep in
A better bed than mine?"
Yes, lad, I lie easy,
I lie as lads would choose;
I cheer a dead man's sweetheart,
Never ask me whose.
XXVIII
THE WELSH MARCHES
High the vanes of Shrewsbury gleam
Islanded in Severn stream;
The bridges from the steepled crest
Cross the water east and west.
The flag of morn in conqueror's state
Enters at the English gate:
The vanquished eve, as night prevails,
Bleeds upon the road to Wales.
Ages since the vanquished bled
Round my mother's marriage-bed;
There the ravens feasted far
About the open house of war:
When Severn down to Buildwas ran
Coloured with the death of man,
Couched upon her brother's grave
The Saxon got me on the slave.
The sound of fight is silent long
That began the ancient wrong;
Long the voice of tears is still
That wept of old the endless ill.
In my heart it has not died,
The war that sleeps on Severn side;
They cease not fighting, east and west,
On the marches of my breast.
Here the truceless armies yet
Trample, rolled in blood and sweat;
They kill and kill and never die;
And I think that each is I.
None will part us, none undo
The knot that makes one flesh of two,
Sick with hatred, sick with pain,
Strangling-When shall we be slain?
When shall I be dead and rid
Of the wrong my father did?
How long, how long, till spade and hearse
Put to sleep my mother's curse?
XXIX
THE LENT LILY
'Tis spring; come out to ramble
The hilly brakes around,
For under thorn and bramble
About the hollow ground
The primroses are found.
And there's the windflower chilly
With all the winds at play,
And there's the Lenten lily
That has not long to stay
And dies on Easter day.
And since till girls go maying
You find the primrose still,
And find the windflower playing
With every wind at will,
But not the daffodil,
Bring baskets now, and sally
Upon the spring's array,
And bear from hill and valley
The daffodil away
That dies on Easter day.
XXX
Others, I am not the first,
Have willed more mischief than they durst:
If in the breathless night I too
Shiver now, 'tis nothing new.
More than I, if truth were told,
Have stood and sweated hot and cold,
And through their reins in ice and fire
Fear contended with desire.
Agued once like me were they,
But I like them shall win my way
Lastly to the bed of mould
Where there's neither heat nor cold.
But from my grave across my brow
Plays no wind of healing now,
And fire and ice within me fight
Beneath the suffocating night.
XXXI
On Wenlock Edge the wood's in trouble;
His forest fleece the Wrekin heaves;
The gale, it plies the saplings double,
And thick on Severn snow the leaves.
'Twould blow like this through holt and hanger
When Uricon the city stood:
'Tis the old wind in the old anger,
But then it threshed another wood.
Then, 'twas before my time, the Roman
At yonder heaving hill would stare:
The blood that warms an English yeoman,
The thoughts that hurt him, they were there.
There, like the wind through woods in riot,
Through him the gale of life blew high;
The tree of man was never quiet:
Then 'twas the Roman, now 'tis I.
The gale, it plies the saplings double,
It blows so hard, 'twill soon be gone:
To-day the Roman and his trouble
Are ashes under Uricon.
XXXII
From far, from eve and morning
And yon twelve-winded sky,
The stuff of life to knit me
Blew hither: here am I.
Now- for a breath I tarry
Nor yet disperse apart-
Take my hand quick and tell me,
What have you in your heart.
Speak now, and I will answer;
How shall I help you, say;
Ere to the wind's twelve quarters
I take my endless way.
XXXIII
If truth in hearts that perish
Could move the powers on high,
I think the love I bear you
Should make you not to die.
Sure, sure, if stedfast meaning,
If single thought could save,
The world might end to-morrow,
You should not see the grave.
This long and sure-set liking,
This boundless will to please,
-Oh, you should live for ever
If there were help in these.
But now, since all is idle,
To this lost heart be kind,
Ere to a town you journey
Where friends are ill to find.
XXXIV
THE NEW MISTRESS
"Oh, sick I am to see you, will you never let me be?
You may be good for something, but you are not good for me.
Oh, go where you are wanted, for you are not wanted here."
And that was all the farewell when I parted from my dear.
"I will go where I am wanted, to a lady born and bred
Who will dress me free for nothing in a uniform of red;
She will not be sick to see me if I only keep it clean:
I will go where I am wanted for a soldier of the Queen."
"I will go where I am wanted, for the sergeant does not mind;
He may be sick to see me but he treats me very kind:
He gives me beer and breakfast and a ribbon for my cap,
And I never knew a sweetheart spend her money on a chap."
"I will go where I am wanted, where there's room for one or two,
And the men are none too many for the work there is to do;
Where the standing line wears thinner and the dropping dead lie thick;
And the enemies of England they shall see me and be sick."
XXXV
On the idle hill of summer,
Sleepy with the flow of streams,
Far I hear the steady drummer
Drumming like a noise in dreams.
Far and near and low and louder
On the roads of earth go by,
Dear to friends and food for powder,
Soldiers marching, all to die.
East and west on fields forgotten
Bleach the bones of comrades slain,
Lovely lads and dead and rotten;
None that go return again.
Far the calling bugles hollo,
High the screaming fife replies,
Gay the files of scarlet follow:
Woman bore me, I will rise.
XXXVI
White in the moon the long road lies,
The moon stands blank above;
White in the moon the long road lies
That leads me from my love.
Still hangs the hedge without a gust,
Still, still the shadows stay:
My feet upon the moonlit dust
Pursue the ceaseless way.
The world is round, so travellers tell,
And straight though reach the track,
Trudge on, trudge on, 'twill all be well,
The way will guide one back.
But ere the circle homeward hies
Far, far must it remove:
White in the moon the long road lies
That leads me from my love.
XXXVII
As through the wild green hills of Wyre
The train ran, changing sky and shire,
And far behind, a fading crest,
Low in the forsaken west
Sank the high-reared head of Clee,
My hand lay empty on my knee.
Aching on my knee it lay:
That morning half a shire away
So many an honest fellow's fist
Had well-nigh wrung it from the wrist.
Hand, said I, since now we part
From fields and men we know by heart,
From strangers' faces, strangers' lands,-
Hand, you have held true fellows' hands.
Be clean then; rot before you do
A thing they'd not believe of you.
You and I must keep from shame
In London streets the Shropshire name;
On banks of Thames they must not say
Severn breeds worse men than they;
And friends abroad must bear in mind
Friends at home they leave behind.
Oh, I shall be stiff and cold
When I forget you, hearts of gold;
The land where I shall mind you not
Is the land where all's forgot.
And if my foot returns no more
To Teme nor Corve nor Severn shore,
Luck, my lads, be with you still
By falling stream and standing hill,
By chiming tower and whispering tree,
Men that made a man of me.
About your work in town and farm
Still you'll keep my head from harm,
Still you'll help me, hands that gave
A grasp to friend me to the grave.
XXXVIII
The winds out of the west land blow,
My friends have breathed them there;
Warm with the blood of lads I know
Comes east the sighing air.
It fanned their temples, filled their lungs,
Scattered their forelocks free;
My friends made words of it with tongues
That talk no more to me.
Their voices, dying as they fly,
Thick on the wind are sown;
The names of men blow soundless by,
My fellows' and my own.
Oh lads, at home I heard you plain,
But here your speech is still,
And down the sighing wind in vain
You hollo from the hill.
The wind and I, we both were there,
But neither long abode;
Now through the friendless world we fare
And sigh upon the road.
XXXIX
'Tis time, I think by Wenlock town
The golden broom should blow;
The hawthorn sprinkled up and down
Should charge the land with snow.
Spring will not wait the loiterer's time
Who keeps so long away;
So others wear the broom and climb
The hedgerows heaped with may.
Oh tarnish late on Wenlock Edge,
Gold that I never see;
Lie long, high snowdrifts in the hedge
That will not shower on me.
XL
Into my heart an air that kills
From yon far country blows:
What are those blue remembered hills,
What spires, what farms are those?
That is the land of lost content,
I see it shining plain,
The happy highways where I went
And cannot come again.
XLI
In my own shire, if I was sad
Homely comforters I had:
The earth, because my heart was sore,
Sorrowed for the son she bore;
And standing hills, long to remain,
Shared their short-lived comrade's pain.
And bound for the same bourn as I,
On every road I wandered by,
Trod beside me, close and dear,
The beautiful and death-struck year:
Whether in the woodland brown
I heard the beechnut rustle down,
And saw the purple crocus pale
Flower about the autumn dale;
Or littering far the fields of May
Lady-smocks a-bleaching lay,
And like a skylit water stood
The bluebells in the azured wood.
Yonder, lightening other loads,
The seasons range the country roads,
But here in London streets I ken
No such helpmates, only men;
And these are not in plight to bear,
If they would, another's care.
They have enough as 'tis: I see
In many an eye that measures me
The mortal sickness of a mind
Too unhappy to be kind.
Undone with misery, all they can
Is to hate their fellow man;
And till they drop they needs must still
Look at you and wish you ill.
XLII
THE MERRY GUIDE
Once in the wind of morning
I ranged the thymy wold;
The world-wide air was azure
And all the brooks ran gold.
There through the dews beside me
Behold a youth that trod,
With feathered cap on forehead,
And poised a golden rod.
With mien to match the morning
And gay delightful guise
And friendly brows and laughter
He looked me in the eyes.
Oh whence, I asked, and whither?
He smiled and would not say,
And looked at me and beckoned
And laughed and led the way.
And with kind looks and laughter
And nought to say beside
We two went on together,
I and my happy guide.
Across the glittering pastures
And empty upland still
And solitude of shepherds
High in the folded hill,
By hanging woods and hamlets
That gaze through orchards down
On many a windmill turning
And far-discovered town,
With gay regards of promise
And sure unslackened stride
And smiles and nothing spoken
Led on my merry guide.
By blowing realms of woodland
With sunstruck vanes afield
And cloud-led shadows sailing
About the windy weald,
By valley-guarded granges
And silver waters wide,
Content at heart I followed
With my delightful guide.
And like the cloudy shadows
Across the country blown
We two face on for ever,
But not we two alone.
With the great gale we journey
That breathes from gardens thinned,
Borne in the drift of blossoms
Whose petals throng the wind;
Buoyed on the heaven-heard whisper
Of dancing leaflets whirled
From all the woods that autumn
Bereaves in all the world.
And midst the fluttering legion
Of all that ever died
I follow, and before us
Goes the delightful guide,
With lips that brim with laughter
But never once respond,
And feet that fly on feathers,
And serpent-circled wand.
XLIII
THE IMMORTAL PART
When I meet the morning beam,
Or lay me down at night to dream,
I hear my bones within me say,
"Another night, another day."
"When shall this slough of sense be cast,
This dust of thoughts be laid at last,
The man of flesh and soul be slain
And the man of bone remain?"
"This tongue that talks, these lungs that shout,
These thews that hustle us about,
This brain that fills the skull with schemes,
And its humming hive of dreams,-"
"These to-day are proud in power
And lord it in their little hour:
The immortal bones obey control
Of dying flesh and dying soul."
" 'Tis long till eve and morn are gone:
Slow the endless night comes on,
And late to fulness grows the birth
That shall last as long as earth."
"Wanderers eastward, wanderers west,
Know you why you cannot rest?
'Tis that every mother's son
Travails with a skeleton."
"Lie down in the bed of dust;
Bear the fruit that bear you must;
Bring the eternal seed to light,
And morn is all the same as night."
"Rest you so from trouble sore,
Fear the heat o' the sun no more,
Nor the snowing winter wild,
Now you labour not with child."
"Empty vessel, garment cast,
We that wore you long shall last.
-Another night, another day."
So my bones within me say.
Therefore they shall do my will
To-day while I am master still,
And flesh and soul, now both are strong,
Shall hale the sullen slaves along,
Before this fire of sense decay,
This smoke of thought blow clean away,
And leave with ancient night alone
The stedfast and enduring bone.
XLIV
Shot? so quick, so clean an ending?
Oh that was right, lad, that was brave:
Yours was not an ill for mending,
'Twas best to take it to the grave.
Oh you had forethought, you could reason,
And saw your road and where it led,
And early wise and brave in season
Put the pistol to your head.
Oh soon, and better so than later
After long disgrace and scorn,
You shot dead the household traitor,
The soul that should not have been born.
Right you guessed the rising morrow
And scorned to tread the mire you must:
Dust's your wages, son of sorrow,
But men may come to worse than dust.
Souls undone, undoing others,-
Long time since the tale began.
You would not live to wrong your brothers:
Oh lad, you died as fits a man.
Now to your grave shall friend and stranger
With ruth and some with envy come:
Undishonoured, clear of danger,
Clean of guilt, pass hence and home.
Turn safe to rest, no dreams, no waking;
And here, man, here's the wreath I've made:
'Tis not a gift that's worth the taking,
But wear it and it will not fade.
XLV
If it chance your eye offend you,
Pluck it out, lad, and be sound:
'Twill hurt, but here are salves to friend you,
And many a balsam grows on ground.
And if your hand or foot offend you,
Cut it off, lad, and be whole;
But play the man, stand up and end you,
When your sickness is your soul.
XLVI
Bring, in this timeless grave to throw,
No cypress, sombre on the snow;
Snap not from the bitter yew
His leaves that live December through;
Break no rosemary, bright with rime
And sparkling to the cruel clime;
Nor plod the winter land to look
For willows in the icy brook
To cast them leafless round him: bring
No spray that ever buds in spring.
But if the Christmas field has kept
Awns the last gleaner overstept,
Or shrivelled flax, whose flower is blue
A single season, never two;
Or if one haulm whose year is o'er
Shivers on the upland frore,
-Oh, bring from hill and stream and plain
Whatever will not flower again,
To give him comfort: he and those
Shall bide eternal bedfellows
Where low upon the couch he lies
Whence he never shall arise.
XLVII
THE CARPENTER'S SON
"Here the hangman stops his cart:
Now the best of friends must part.
Fare you well, for ill fare I:
Live, lads, and I will die."
"Oh, at home had I but stayed
'Prenticed to my father's trade,
Had I stuck to plane and adze,
I had not been lost, my lads."
"Then I might have built perhaps
Gallows-trees for other chaps,
Never dangled on my own,
Had I but left ill alone."
"Now, you see, they hang me high,
And the people passing by
Stop to shake their fists and curse;
So 'tis come from ill to worse."
"Here hang I, and right and left
Two poor fellows hang for theft:
All the same's the luck we prove,
Though the midmost hangs for love."
"Comrades all, that stand and gaze,
Walk henceforth in other ways;
See my neck and save your own:
Comrades all, leave ill alone."
"Make some day a decent end,
Shrewder fellows than your friend.
Fare you well, for ill fare I:
Live, lads, and I will die."
XLVIII
Be still, my soul, be still; the arms you bear are brittle,
Earth and high heaven are fixt of old and founded strong.
Think rather,-call to thought, if now you grieve a little,
The days when we had rest, O soul, for they were long.
Men loved unkindness then, but lightless in the quarry
I slept and saw not; tears fell down, I did not mourn;
Sweat ran and blood sprang out and I was never sorry:
Then it was well with me, in days ere I was born.
Now, and I muse for why and never find the reason,
I pace the earth, and drink the air, and feel the sun.
Be still, be still, my soul; it is but for a season:
Let us endure an hour and see injustice done.
Ay, look: high heaven and earth ail from the prime foundation;
All thoughts to rive the heart are here, and all are vain:
Horror and scorn and hate and fear and indignation-
Oh why did I awake? when shall I sleep again?
XLIX
Think no more, lad; laugh, be jolly:
Why should men make haste to die?
Empty heads and tongues a-talking
Make the rough road easy walking,
And the feather pate of folly
Bears the falling sky.
Oh, 'tis jesting, dancing, drinking
Spins the heavy world around.
If young hearts were not so clever,
Oh, they would be young for ever:
Think no more; 'tis only thinking
Lays lads underground.
L
Clunton and Clunbury,
Clungunford and Clun,
Are the quietest places
Under the sun.
In valleys of springs of rivers,
By Ony and Teme and Clun,
The country for easy livers,
The quietest under the sun,
We still had sorrows to lighten,
One could not be always glad,
And lads knew trouble at Knighton
When I was a Knighton lad.
By bridges that Thames runs under,
In London, the town built ill,
'Tis sure small matter for wonder
If sorrow is with one still.
And if as a lad grows older
The troubles he bears are more,
He carries his griefs on a shoulder
That handselled them long before.
Where shall one halt to deliver
This luggage I'd lief set down?
Not Thames, not Teme is the river,
Nor London nor Knighton the town:
'Tis a long way further than Knighton,
A quieter place than Clun,
Where doomsday may thunder and lighten
And little 'twill matter to one.
LI
Loitering with a vacant eye
Along the Grecian gallery,
And brooding on my heavy ill,
I met a statue standing still.
Still in marble stone stood he,
And stedfastly he looked at me.
"Well met," I thought the look would say,
"We both were fashioned far away;
We neither knew, when we were young,
These Londoners we live among."
Still he stood and eyed me hard,
An earnest and a grave regard:
"What, lad, drooping with your lot?
I too would be where I am not.
I too survey that endless line
Of men whose thoughts are not as mine.
Years, ere you stood up from rest,
On my neck the collar prest;
Years, when you lay down your ill,
I shall stand and bear it still.
Courage, lad, 'tis not for long:
Stand, quit you like stone, be strong."
So I thought his look would say;
And light on me my trouble lay,
And I slept out in flesh and bone
Manful like the man of stone.
LII
Far in a western brookland
That bred me long ago
The poplars stand and tremble
By pools I used to know.
There, in the windless night-time,
The wanderer, marvelling why,
Halts on the bridge to hearken
How soft the poplars sigh.
He hears: long since forgotten
In fields where I was known,
Here I lie down in London
And turn to rest alone.
There, by the starlit fences,
The wanderer halts and hears
My soul that lingers sighing
About the glimmering weirs.
LIII
THE TRUE LOVER
The lad came to the door at night,
When lovers crown their vows,
And whistled soft and out of sight
In shadow of the boughs.
"I shall not vex you with my face
Henceforth, my love, for aye;
So take me in your arms a space
Before the east is grey."
"When I from hence away am past
I shall not find a bride,
And you shall be the first and last
I ever lay beside."
She heard and went and knew not why;
Her heart to his she laid;
Light was the air beneath the sky
But dark under the shade.
"Oh do you breathe, lad, that your breast
Seems not to rise and fall,
And here upon my bosom prest
There beats no heart at all?"
"Oh loud, my girl, it once would knock,
You should have felt it then;
But since for you I stopped the clock
It never goes again."
"Oh lad, what is it, lad, that drips
Wet from your neck on mine?
What is it falling on my lips,
My lad, that tastes of brine?"
"Oh like enough 'tis blood, my dear,
For when the knife has slit
The throat across from ear to ear
'Twill bleed because of it."
Under the stars the air was light
But dark below the boughs,
The still air of the speechless night,
When lovers crown their vows.
LIV
With rue my heart is laden
For golden friends I had,
For many a rose-lipt maiden
And many a lightfoot lad.
By brooks too broad for leaping
The lightfoot boys are laid;
The rose-lipt girls are sleeping
In fields where roses fade.
LV
Westward on the high-hilled plains
Where for me the world began,
Still, I think, in newer veins
Frets the changeless blood of man.
Now that other lads than I
Strip to bathe on Severn shore,
They, no help, for all they try,
Tread the mill I trod before.
There, when hueless is the west
And the darkness hushes wide,
Where the lad lies down to rest
Stands the troubled dream beside.
There, on thoughts that once were mine,
Day looks down the eastern steep,
And the youth at morning shine
Makes the vow he will not keep.
LVI
THE DAY OF BATTLE
"Far I hear the bugle blow
To call me where I would not go,
And the guns begin the song,
'Soldier, fly or stay for long.'"
"Comrade, if to turn and fly
Made a soldier never die,
Fly I would, for who would not?
'Tis sure no pleasure to be shot."
"But since the man that runs away
Lives to die another day,
And cowards' funerals, when they come
Are not wept so well at home."
"Therefore, though the best is bad,
Stand and do the best my lad;
Stand and fight and see your slain,
And take the bullet in your brain."
LVII
You smile upon your friend to-day,
To-day his ills are over;
You hearken to the lover's say,
And happy is the lover.
'Tis late to hearken, late to smile,
But better late than never:
I shall have lived a little while
Before I die for ever.
LVIII
When I came last to Ludlow
Amidst the moonlight pale,
Two friends kept step beside me,
Two honest lads and hale.
Now Dick lies long in the churchyard,
And Ned lies long in jail,
And I come home to Ludlow
Amidst the moonlight pale.
LIX
THE ISLE OF PORTLAND
The star-filled seas are smooth to-night
From France to England strown;
Black towers above the Portland light
The felon-quarried stone.
On yonder island, not to rise,
Never to stir forth free,
Far from his folk a dead lad lies
That once was friends with me.
Lie you easy, dream you light,
And sleep you fast for aye;
And luckier may you find the night
Than ever you found the day.
LX
Now hollow fires burn out to black,
And lights are guttering low:
Square your shoulders, lift your pack,
And leave your friends and go.
Oh never fear, man, nought's to dread,
Look not left nor right:
In all the endless road you tread
There's nothing but the night.
LXI
HUGHLEY STEEPLE
The vane on Hughley steeple
Veers bright, a far-known sign,
And there lie Hughley people,
And there lie friends of mine.
Tall in their midst the tower
Divides the shade and sun,
And the clock strikes the hour
And tells the time to none.
To south the headstones cluster,
The sunny mounds lie thick;
The dead are more in muster
At Hughley than the quick.
North, for a soon-told number,
Chill graves the sexton delves,
And steeple-shadowed slumber
The slayers of themselves.
To north, to south, lie parted,
With Hughley tower above,
The kind, the single-hearted,
The lads I used to love.
And, south or north, 'tis only
A choice of friends one knows,
And I shall ne'er be lonely
Asleep with these or those.
LXII
"Terence, this is stupid stuff:
You eat your victuals fast enough;
There can't be much amiss, 'tis clear,
To see the rate you drink your beer.
But oh, good Lord, the verse you make,
It gives a chap the belly-ache.
The cow, the old cow, she is dead;
It sleeps well, the horned head:
We poor lads, 'tis our turn now
To hear such tunes as killed the cow.
Pretty friendship 'tis to rhyme
Your friends to death before their time
Moping melancholy mad:
Come, pipe a tune to dance to, lad."
Why, if 'tis dancing you would be,
There's brisker pipes than poetry.
Say, for what were hop-yards meant,
Or why was Burton built on Trent?
Oh many a peer of England brews
Livelier liquor than the Muse,
And malt does more than Milton can
To justify God's ways to man.
Ale, man, ale's the stuff to drink
For fellows whom it hurts to think:
Look into the pewter pot
To see the world as the world's not.
And faith, 'tis pleasant till 'tis past:
The mischief is that 'twill not last.
Oh I have been to Ludlow fair
And left my necktie God knows where,
And carried half-way home, or near,
Pints and quarts of Ludlow beer:
Then the world seemed none so bad,
And I myself a sterling lad;
And down in lovely muck I've lain,
Happy till I woke again.
Then I saw the morning sky:
Heigho, the tale was all a lie;
The world, it was the old world yet,
I was I, my things were wet,
And nothing now remained to do
But begin the game anew.
Therefore, since the world has still
Much good, but much less good than ill,
And while the sun and moon endure
Luck's a chance, but trouble's sure,
I'd face it as a wise man would,
And train for ill and not for good.
'Tis true the stuff I bring for sale
Is not so brisk a brew as ale:
Out of a stem that scored the hand
I wrung it in a weary land.
But take it: if the smack is sour,
The better for the embittered hour;
It should do good to heart and head
When your soul is in my soul's stead;
And I will friend you, if I may,
In the dark and cloudy day.
There was a king reigned in the East:
There, when kings will sit to feast,
They get their fill before they think
With poisoned meat and poisoned drink.
He gathered all that springs to birth
From the many-venomed earth;
First a little, thence to more,
He sampled all her killing store;
And easy, smiling, seasoned sound,
Sate the king when healths went round.
They put arsenic in his meat
And stared aghast to watch him eat;
They poured strychnine in his cup
And shook to see him drink it up:
They shook, they stared as white's their shirt:
Them it was their poison hurt.
-I tell the tale that I heard told.
Mithridates, he died old.
LXIII
I Hoed and trenched and weeded,
And took the flowers to fair:
I brought them home unheeded;
The hue was not the wear.
So up and down I sow them
For lads like me to find,
When I shall lie below them,
A dead man out of mind.
Some seed the birds devour,
And some the season mars,
But here and there will flower
The solitary stars,
And fields will yearly bear them
As light-leaved spring comes on,
And luckless lads will wear them
When I am dead and gone.
End of the Project Gutenberg EBook of A Shropshire Lad, by A. E. Housman
*** END OF THIS PROJECT GUTENBERG EBOOK A SHROPSHIRE LAD ***
***** This file should be named 5720-h.htm or 5720-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/5/7/2/5720/
Produced by Albert Imrie, and David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.